Episode 55: Why That Doesn’t Surprise Me by The Lucksmiths

In the summer of 2000/2001, Melbourne, Australia’s The Lucksmiths would enter Audrey Studios in the Melbourne suburb of Richmond to record with producer Craig Pilkington. When the sessions were complete, the band would emerge with an ambitious new album. In Episode 55, The Lucksmiths’ Marty Donald and Mark Monnone tell the story of their 2001 indie pop classic Why That Doesn’t Surprise Me. Detailing the events and experiences that led to its creation, the bandmates discuss the writing and recording process as well as the people that helped shape the album’s direction and sound.

For more info on The Lucksmiths, visit thelucksmiths.bandcamp.com

Episode 54: Is a Woman by Lambchop

After experiencing some success with the release of his band’s fifth album Nixon and quitting his long standing job with a flooring company, Lambchop’s Kurt Wagner would take advantage of the momentum and extra time by working on the songs that would make up the band’s next album. In Episode 54, Wagner tells the story of Lambchop’s 2002 album Is a Woman. Recorded with frequent collaborator Mark Nevers in their home base of Nashville, Tennessee, the band’s leader recounts the process of shaping the record’s sonic direction and the positive outcomes that occurred as a result of its creation.

For more info on Lambchop, visit Lambchop.net and Mergerecords.com

Episode 49: Protest a Dark Anniversary by Masters of the Hemisphere

Formed during the halcyon days of the late 90s/ early 2000s Athens, GA music scene, Masters of the Hemisphere would become the quintessential indie pop act of beloved local label Kindercore Records. In Episode 49, Adrian Finch, Jeff Griggs, Bren Mead, and Sean Rawls tell the story of their 2002 album Protest a Dark Anniversary. Recounting the events that led to the record’s creation, the members of the Masters touch on their experience recording at World as Myth Studio and the sense of an impending transition that permeated the whole proceeding.