Episode 60: Call and Response by Call and Response

In August of 2000, the San Francisco based indie pop band Call and Response would travel to the other side of the country and make a record in the sleepy college town of Athens, Georgia. For Episode 60, Call and Response’s Carrie Clough, Dan Judd, Terri Loewenthal, and Simone Rubi tell the story of how their 2001 self-titled debut came to be. Recounting the events that led to the album’s creation, the bandmates touch on the key influences that would guide its lyrical and sonic directions as well as their experience working with the late, great Bill Doss.

Episode 59: Spirit Stereo Frequency by All Night Radio

In 2002, the Los Angeles based country psyche band Beachwood Sparks would go on an extended hiatus. Making the most of the opportunity presented, multi-instrumentalist Farmer Dave Scher would begin to construct a record, enlisting the help of his Beachwood bandmate Jimi Hey. In Episode 59, Scher tells the story of Spirit Stereo Frequency, the lone full-length effort by All Night Radio. Sharing insight into the experiences and events that helped shape its creation, Scher touches on the painstaking process of recording the album in his Echo Park apartment as well as the concepts and influences that inspired its overall sound.

For more info on All Night Radio, visit farmerdavescher.com and bigpotatorecords.bandcamp.com/

Episode 55: Why That Doesn’t Surprise Me by The Lucksmiths

In the summer of 2000/2001, Melbourne, Australia’s The Lucksmiths would enter Audrey Studios in the Melbourne suburb of Richmond to record with producer Craig Pilkington. When the sessions were complete, the band would emerge with an ambitious new album. In Episode 55, The Lucksmiths’ Marty Donald and Mark Monnone tell the story of their 2001 indie pop classic Why That Doesn’t Surprise Me. Detailing the events and experiences that led to its creation, the bandmates discuss the writing and recording process as well as the people that helped shape the album’s direction and sound.

For more info on The Lucksmiths, visit thelucksmiths.bandcamp.com

Episode 54: Is a Woman by Lambchop

After experiencing some success with the release of his band’s fifth album Nixon and quitting his long standing job with a flooring company, Lambchop’s Kurt Wagner would take advantage of the momentum and extra time by working on the songs that would make up the band’s next album. In Episode 54, Wagner tells the story of Lambchop’s 2002 album Is a Woman. Recorded with frequent collaborator Mark Nevers in their home base of Nashville, Tennessee, the band’s leader recounts the process of shaping the record’s sonic direction and the positive outcomes that occurred as a result of its creation.

For more info on Lambchop, visit Lambchop.net and Mergerecords.com

Episode 49: Protest a Dark Anniversary by Masters of the Hemisphere

Formed during the halcyon days of the late 90s/ early 2000s Athens, GA music scene, Masters of the Hemisphere would become the quintessential indie pop act of beloved local label Kindercore Records. In Episode 49, Adrian Finch, Jeff Griggs, Bren Mead, and Sean Rawls tell the story of their 2002 album Protest a Dark Anniversary. Recounting the events that led to the record’s creation, the members of the Masters touch on their experience recording at World as Myth Studio and the sense of an impending transition that permeated the whole proceeding.